Wednesday, November 08, 2006

"Doubt"

Last night was the opening of the play "Doubt" at the Golden Gate Theater. One of Dan's favorite playwrights, John Patrick Shanley, won the Pulitzer for it last year, while Cherry Jones won a best actress Tony.

The original cast was here in San Fran following their Broadway run - so we had to enjoy the rare opportunity to see the NY cast. Jones was perfect in mannerisms, accent, expression and restraint. A transformation from other characters she has played in film or TV, one both harsh and sympathetic.

Her role exemplified the spirit of the play in general: the duality of each person, the dark and light existent in the same heart. The cancer of suspicision and gossip is clearly displayed... as is the absolutely righteous nature of justice and calling for the truth.

In the complicated reaches of the church, the possible molestation of a choir boy by the priest initially seems to be another scathing indictement of the church's sexual wrongs. Yet the play was nothing of the sort. It was a rich, layered exploration of the capability for error in each of us, the well meaning mixed with the downright awful, the doubt that lurks in even the most confident, certain mind.

When the audience frequently gasps in a play with no greater action than conversation in a church, you know it is well written and acted. One of the best plays we've seen (along with the incredible "Jesus Hopped the 'A' Train" - the best), with all the acclaim I suspect the translation to film is possible - and could be as riveting a film as a play.

1 comment:

mrstumpf said...

I am so thankful for good theatre in SF. Sometimes I wonder if the experiences I had in the theatre were more imagination than reality. This play helped renew my faith in the live performance. As Ginny was saying, the hushed silences of the audience were as chilling as the gasps. An audiences imagination is far worst than the very best special effects and spectacle. I fear for the movie, if it is coming. I can see the subtleties being pumped up into glaring blacks and whites, the score overbearing, etc.